Grouped because they are the same, what they look like them, the monuments, typical identifiable marked. (…)
Photographing a monument, making it a postcard. Photograph at the monument, is to enter the postcard, become immortal, his friends present a picture where one stands in the arms of the Great Pyramid, with the smile of one who made the cover of Paris-Match.
Tourists want cartoon characters. Tintin is interesting that the place itself: "Tintin in the Soviet countries" "Tintin au Congo" "Tintin in America". But Tintin in itself is empty as a tourist.
The tourist, vacuum vacuum, becomes a collector. Thus, in trophies trophies, can be compared and attempt to distinguish his colleague. But, like the stars all look alike, hidden behind sunglasses and under false hair, tourists do not differ. And, like the famous stars are false because there is a star, always the same, occupied by a given name of the moment, the monuments are falsely renamed. […]