“At the beginning of the seventies, passage to Rome, during a cold and rainy winter, no picture of good, I had a wide-angle except two or three in Pompeii silent and empty under the rain …
Later, in 1979, having finally understood the discreet strength of the 50 mm, coming from the highlands of Taos in New Mexico where I lived, I found in Rome Claude Nori, and there, it is the visual shock: is it what living in the desert makes this city fascinates me in comparison?
Let’s say that the images of the American West are often horizontal and those of the streets of Rome are often vertical! and that also impregnates me very strongly the Roman work of Corot, which I think so often over there … Corot who marked me definitively by his sobriety.
The years will pass, until the return to Europe, and I am now under the strong influence of the painting movement called ‘La Scuola Romana’ (Mafai, Scipione, Pirandello, Antonietta Raphael, Afro): wonders that inspire me a lot.
Many visits: Rome attracts me constantly, I go there almost every year and I photograph in disorder, especially nothing systematic or organized! Quarter by district, listening only to my instinct and especially my passion: I am madly in love with this city and, at the same time, with all the small Italian islands where I go as often as possible! “B.P.
* Two different photographs each shot at fifteen copies.
Bernard Plossu
Photographe

Françoise
Bernard Plossu

Le jardin de poussière
Bernard Plossu
Stuart Alexander, Emmanuelle de l’Ecotais

Isabelle Huppert – Pauline Croze
Bernard Plossu
Dominique Païni

Aquarelles dessinées
Françoise Nuñez
Bernard Plossu

Plossu / Fuentes
Bernard Plossu, Marcelo Fuentes

Hyères / Plossu
Bernard Plossu
Gilles A. Tiberghien, François Carrassan

Plossu/Granet – Italia discreta
Bernard Plossu
Bruno Ely, Paméla Grimaud, Guillaume Cassegrain

Pneus & A day with the Creeleys
Bernard Plossu

Düsseldorf
Bernard Plossu
Régis Durand

Roma
Bernard Plossu
Alain Bergala, Patrick Talbot

La prolongation du bonheur
Guillaume Geneste
Bernard Plossu

Glamour
Bernard Plossu
Dominique Païni

Denis Roche
Bernard Plossu
Jean-Christophe Bailly, Guillaume Geneste, Denis Roche

Le Havre en noir & blanc
Bernard Plossu
Annette Haudiquet, Aude Mathé

Photographier les jardins de Monet
Stephen Shore, Bernard Plossu, Darren Almond, Henri Foucault
Jeanne Fouchet-Nahas, Marina Ferretti Bocquillon

Le jardin de pierres
Bernard Plossu
Elisabeth Foch

Tours et détours
Jesse A. Fernández
Bernard Plossu, Gabriel Bauret, Juan Manuel Bonet

L’odeur du buis
Bernard Plossu
Gabriel Bauret, Farid Abdelouahab

Monet intime
Bernard Plossu
Vanessa Lecomte, Diego Candil, Cédric Lesec

Nous avons fait un très beau voyage
Bernard Plossu, Françoise Nuñez, Jacques Borgetto, Sophie Zénon
Laura Serani

Avant l’âge de raison
Bernard Plossu
William Lord Coleman

Entre/Vues
Bernard Plossu, Fabrice Dubreuil
Marc Donnadieu

Damiers-Rayures
Bernard Plossu
François Carrassan, Emmanuel Guigon

Hirondelles andalouses
Bernard Plossu
Jean-Christophe Bailly

Saison # 10
Bernard Plossu

Le cinéma fixe ?
Bernard Plossu
Dominique Païni

Lettre pour un très lent détour
Bernard Plossu
Joël Vernet, Philippe Arbaïzar

Où commence le ciel ?
Corinne Mercadier
François Seigneur, Bernard Plossu, Alain Fleischer, Charles-Arthur Boyer

Alain Bergala
Auteur
Alain Bergala Filmmaker, essayist, critic at Cahiers du Cinéma, professor at Paris III University, La fémis, curator, he is the author of many books on Roberto Rossellini, Abbas Kiarostami and Jean-Luc Godard. Director of fiction and documentary, he is notably responsible for Faux Fuyants (1982), Cesare Pavese (1995) and Fernand Léger, the reasons for a life (1997).
Patrick Talbot
Auteur
Patrick Talbot is a former student of the Ecole Normale Supérieure from which he graduated from history and then holds a DEA on pre-Columbian Mexico. He was cultural advisor to the French embassies in the United States and then in Italy and director of the National School of Photography in Arles.










