L’Empreinte de la photographie

For more than forty years now, Catherine Poncin has been photography with photographs. Better still: she photographs photography. However, the critical texts that accompany his work tend to detach the photographer from photography, as if his work was above all second-hand, meta-photographic. This work aims to re-examine this conviction and expand reflection to the following questions: what is Catherine Poncin’s work does the images which are the source of her inspiration, but also to photography, as practical, as Art, as thought? C. M.

Coproducer

Le champ des impossibles

Released

07/06/2022

Collection

Les Carnets

Format

120 x 165

Français

Broché

34 photos colors and balck and withe

128 pages

ISBN : 978-2-35046-570-8

10,00 €Buy

Catherine Poncin

Artiste, Photographe, Plasticien

site web - site annexe

Poncin Catherine is a photographer. She lives and works in Montreuil and in Lozère Soulages. His photographic approach pursued; of the picture, the image is built from fragments of images found on markets in the archive or by voice classifieds.

She has published 12 books in Filigranes: Monographie Catherine Poncin ; Détournement d’Intention ; Du champs des hommes, territoires ; Sans conte, ni légendes ; Eclats ; Vertiges ; Vis à vis ; Corpus ; 1418. échos, versos et graphies de batailles ; Archives d’un présent.

Christian Michel

Auteur, Historien

Christian Michel, former student of ENS Fontenay/St-Cloud and aggregated with modern letters, is currently a lecturer (HDR) in comparative literature at the University of Picardie-Jules-Verne (Amiens). His work is devoted to analogy, the hermeneutics of fiction and the semiology of the visual arts. He published in particular (2013), (in collaboration with Michèle Bompard-Porte and Daniel Bennequin, 2013), and he managed the volumes of studies (2016) and A. Desplechin, in collaboration with Jean-Baptiste Renault, 2017).

L’Empreinte de la photographie
Catherine Poncin
Christian Michel