A long conversation between Catherine Poncin and Christine Ollier.
Dear Catherine, it’s a topass on paper an excerpt from this conversation that lasts among us for more than twenty-five years, punctuated by your creations from the many projects we have led together! From the artist to the fertile imagination to the beautiful and sincere woman, how to talk about everything! ? Let’s start by explaining your image approach, through the image. It has allowed you to develop a set of works important: a fund of more than 500 images, which you have appointed me depositary, corresponding to more than twenty-five photographic sets. It’s impressive to quantify and magic to see! Do you work in the same way since always, or is it just an impression related to your memorial approach?
I do not work in the same way since always … In this case I started exploring the photographic medium from thirty-five years, only. It was like discovering and creating a second world transfigured through which to express the quests and causes that have always lived me.
Artiste, Photographe, Plasticien
L’Empreinte de la photographie
Rencontre Catherine Poncin – Christine Ollier
Smith, Ellen Kooi, Catherine Poncin, Thibaut Cuisset, Corinne Mercadier, Thierry Fontaine, Yusuf Sevinçli, Matt Wilson, Karen Knorr, Laura Henno
Michel Poivert, Florence Calame-Levert
Archives d’un présent
Ricardo Arcos-Palmas, Gonzalo Sanchez G.
1418. échos, versos et graphies de batailles
Michel Poivert, Guillaume Nahon
Van Speybroeck Daan
Éloge de combats ordinaires
La boîte de Pandore
Vis à vis
Alger Elèves du Lycée A. Dumas
Sans conte, ni légende
Du champs des hommes
Catherine Poncin, Jean-Paul Chavent
Directrice artistique, Galeriste, Historienne de l'art
Christine Ollier is a historian of art and specialist in communication strategy and cultural development. She is the Commissioner of Exhibitions. She is Chevallier Arts and Letters and Chevalier of the Order of Merit. Co-founder and director of the Gallery Girls of Calvary, from 1996 to 2016, she continued since a career solo, devoting himself to the design of cultural projects and exhibitions, to the publication of critical texts and plays a role of artistic councilor with artists and collectors. Since 2017, she has designed and strives to set up the field of impossible, important artistic and cultural platform in rural areas, in the pole.